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Sony spectralayers pro 2 remove noise4/12/2023 ![]() ![]() It’s in the areas of creativity and precision editing that I find SpectraLayers to have an edge, a considerable one in my opinion. Someone who is new to both apps might fair worse, while an experienced audio engineer would probably succeed in just one try - with either app. It took me two attempts to get the result I wanted with SpectraLayers Pro 3 and three with RX4 Advanced. However, in RX4 Advanced I needed to think more about what I was doing, while in SpectraLayers Pro 3, I could just listen, select and try. I’ve tried both methods on the same difficult file (birds singing in my back garden with a gale 6 directly coming from a busy motorway and a ship repair shop nearby) and in both apps I could restore the birds’ songs to almost a 100% pure sound. In SpectraLayers Pro 3 you’ll paint your noise fingerprint, select the noise removal command from the menu and you’re done. RX4 is all about traditional working methods, while SpectraLayers is more like a paint program.īoth apps will allow you to remove noise, for example, but in RX4 you will work with a control panel offering control by values, numbers and sliders with a lot of feedback in terms of signal power. ![]() ![]() Even in the area where the two applications do overlap each other’s functionality - repair and forensics - there’s a huge difference between the two in the way you work with them. You might be forgiven to think these types of users could also use iZotope’s RX4 Advanced to name but one example, but then you’d forget about the creative possibilities SpectraLayers Pro 3 offers which RX4 doesn’t. The types of users SpectraLayers Pro appeals to include audio mastering engineers who can repair, filter, and remix audio, sound designers and remix artists who can isolate individual sounds in an audio file, select material by frequency, and construct new music directly on the spectral graph, audio-for-video producers who will eliminate unwanted noise with extreme precision, forensics specialists and audio archivists. There are a few new features as well, but the focus of version 3 lies with making SpectraLayers Pro a more efficient, pleasurable audio editing app. Instead, they’ve made several impressive improvements, speeding up the app considerably, giving it a better, far more user-friendly and customisable interface and the ability to process 24bit/192kHz files. With the only just released SpectraLayers Pro 3 Sony hasn’t chosen for the easy road of adding bloat to the app. Version 2 ran a bit faster, although not by much, but it gained features not found anywhere else such as layer casting and moulding. In practice, the application was slow and not always stable. When SpectraLayers Pro came out a few years ago, it was the advanced audio spectrum analyser/editor many audio engineers dreamt of. ![]()
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